189
edits
Now That's What I Call Music! 27 (UK series): Difference between revisions
Now That's What I Call Music! 27 (UK series) (edit)
Revision as of 20:47, 28 May 2020
, 20:47, 28 May 2020→Track listing
Daniel Hwang (talk | contribs) No edit summary Tags: Mobile edit Mobile web edit |
Daniel Hwang (talk | contribs) Tags: Mobile edit Mobile web edit |
||
| Line 35: | Line 35: | ||
|"The Sign" | |"The Sign" | ||
|Ace of Base | |Ace of Base | ||
|3: | |3:08 | ||
|- | |- | ||
|2. | |2. | ||
| Line 45: | Line 45: | ||
|"Things Can Only Get Better(D:Reamix edit)" | |"Things Can Only Get Better(D:Reamix edit)" | ||
|D:Ream | |D:Ream | ||
|3: | |3:58 | ||
|- | |- | ||
|4. | |4. | ||
|"It's Alright" | |"It's Alright" | ||
|East 17 | |East 17 | ||
|4: | |4:41 | ||
|- | |- | ||
|5. | |5. | ||
| Line 60: | Line 60: | ||
|"Save Our Love" | |"Save Our Love" | ||
|Eternal | |Eternal | ||
|3: | |3:43 | ||
|- | |- | ||
|7. | |7. | ||
|"Return to Innocence" | |"Return to Innocence" | ||
|Enigma | |Enigma | ||
|4: | |4:07 | ||
|- | |- | ||
|8. | |8. | ||
|"For Whom the Bell Tolls" | |"For Whom the Bell Tolls" | ||
|Bee Gees | |Bee Gees | ||
|3: | |3:54 | ||
|- | |- | ||
|9. | |9. | ||
|"Come In Out of the Rain" | |"Come In Out of the Rain" | ||
|Wendy Moten | |Wendy Moten | ||
|4: | |4:14 | ||
|- | |- | ||
|10. | |10. | ||
| Line 90: | Line 90: | ||
|"Now and Forever" | |"Now and Forever" | ||
|Richard Marx | |Richard Marx | ||
|3: | |3:30 | ||
|- | |- | ||
|13. | |13. | ||
| Line 100: | Line 100: | ||
|"Cornflake Girl" | |"Cornflake Girl" | ||
|Tori Amos | |Tori Amos | ||
| | |5:04 | ||
|- | |- | ||
|15. | |15. | ||
|"Good as Gold (Stupid as Mud)" | |"Good as Gold (Stupid as Mud)" | ||
|The Beautiful South | |The Beautiful South | ||
|3: | |3:46 | ||
|- | |- | ||
|16. | |16. | ||
|"Rock and Roll Dreams Come Through" | |"Rock and Roll Dreams Come Through" | ||
|Meat Loaf | |Meat Loaf | ||
|5: | |5:07 | ||
|- | |- | ||
|17. | |17. | ||
|"Rocks" | |"Rocks" | ||
|Primal Scream | |Primal Scream | ||
|3: | |3:33 | ||
|- | |- | ||
|18. | |18. | ||
|"Hey Jealousy" | |"Hey Jealousy" | ||
|Gin Blossoms | |Gin Blossoms | ||
|3: | |3:51 | ||
|- | |- | ||
|19. | |19. | ||
|"Disarm" | |"Disarm" | ||
|Smashing Pumpkins | |Smashing Pumpkins | ||
|3: | |3:16 | ||
|} | |} | ||
{| class="wikitable" | {| class="wikitable" | ||
| Line 138: | Line 138: | ||
|"Doop" | |"Doop" | ||
|Doop | |Doop | ||
|3: | |3:31 | ||
|- | |- | ||
|2. | |2. | ||
|"Wonderman" | |"Wonderman" | ||
|Right Said Fred | |Right Said Fred | ||
|3: | |3:24 | ||
|- | |- | ||
|3. | |3. | ||
|"Move on Baby" | |"Move on Baby" | ||
|Cappella | |Cappella | ||
|3: | |3:38 | ||
|- | |- | ||
|4. | |4. | ||
|"Anything" | |"Anything" | ||
|Culture Beat | |Culture Beat | ||
|3: | |3:55 | ||
|- | |- | ||
|5. | |5. | ||
| Line 163: | Line 163: | ||
|"I Like to Move It" | |"I Like to Move It" | ||
|Reel 2 Real featuring The Mad Stuntman | |Reel 2 Real featuring The Mad Stuntman | ||
|3: | |3:48 | ||
|- | |- | ||
|7. | |7. | ||
|"Come Baby Come" | |"Come Baby Come" | ||
|K7 | |K7 | ||
|3: | |3:56 | ||
|- | |- | ||
|8. | |8. | ||
|"Teenage Sensation" | |"Teenage Sensation" | ||
|Credit to the Nation | |Credit to the Nation | ||
|3: | |3:21 | ||
|- | |- | ||
|9. | |9. | ||
| Line 183: | Line 183: | ||
|"Here I Stand" | |"Here I Stand" | ||
|Bitty McLean | |Bitty McLean | ||
|3: | |3:37 | ||
|- | |- | ||
|11. | |11. | ||
| Line 198: | Line 198: | ||
|"Uptight" | |"Uptight" | ||
|Shara Nelson | |Shara Nelson | ||
|4: | |4:28 | ||
|- | |- | ||
|14. | |14. | ||
| Line 218: | Line 218: | ||
|"Sail Away" | |"Sail Away" | ||
|Urban Cookie Collective | |Urban Cookie Collective | ||
|3: | |3:21 | ||
|- | |- | ||
|18. | |18. | ||